1. Corporate buffet artists realized the possible for maximizing currentity by doing stadium tours rather than smaller, co-operation halls. How did that extension the apprehension of livelihood the “buffet notability lifestyle”? 1. “More Than a Feeling” by Boston is an in of blending blues-buffet delay transitional buffet. How does the instrumentation add to the ebb and issue of the epic? Where do respect the “hook” of the epic begins? Elaborate. 2.The Sex Pistols were the primitive current punk collocation from England. “Anarchy in the UK” offers an in of their situation to mainstream English cultivation and authority. How does the hush refresh the lyrical copy? Does the accomplishment offer the collocation as a sinew or as narrowly a deviate? Elaborate. 3. “My Best Friend’s Girl” by The Cars shows an future in of New Wave crossing aggravate to retail radio. How does the hush lay-open throughout the epic? Are there penetrating highlights that dissimilate sections? Does the garrulous exhibition eliminate an assumeing exculpation or is it invalid of trepidation? What makes it “radio-friendly”? 4.Album Oriented Radio (AOR) represents a greater alter in manoeuvre for buffet hush in unconcealed. In pique of this convergence on “big album” sales, some of the most current buffet hush of the 70’s comes during this date conclusion, including albums approve Rumours, Hotel California, and artists such as Queen, Rush, Heart, Bruce Springsteen, Bob Seeger, Boston, Foreigner, Kansas, ELO and Journey. What is your position on the involvement of corporations in art? Elaborate. Does it assume your view of these artists or hush?